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Apart from its great size, its most notable feature is the great pishtaq (gateway), which is beautifully decorated with mosaic, plaster relief work and painting. Immediately south of the Mir-i Arab Madrasa is the 19th-century Madrasa of Amir Alim Khan, which breaks with architectural traditional and seems to have been primarily used as a library.
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Related books |
Islamic Art and Architecture: From Isfahan to the Taj Mahal Art historian Henri Stierlin explores a dazzling 1,000-year-old decorative tradition in Islamic Art and Architecture: From Isfahan to the Taj Mahal. |
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